![]() ![]() ![]() Īubrey Beardsley, J'ai baisé ta bouche Iokanaan, illustration, The Studio, April 1893.īeardsley created his first version of The Climax, J'ai baisé ta bouche Iokanaan, as an illustration for the French version of Oscar Wilde's play, Salome. These movements centered on the idea of " art for art's sake". Nonetheless, he was one of the most influential artists of the Decadent movement (1880-1900), and a leader of the Aesthetic movement. His career was short-lived, as he died from tuberculosis at the age of 25. The series is considered to be Beardsley's most celebrated work, created at the age of 21.īeardsley was born in Brighton, Sussex, England, in August 1872. This illustration is one of sixteen Wilde commissioned Beardsley to create for the publication of the play. ![]() Elements of eroticism, symbolism, and Orientalism are present in the piece. It depicts a scene from Oscar Wilde's 1891 play Salome, in which the femme fatale Salome has just kissed the severed head of John the Baptist, which she grasps in her hands. The Climax is an 1893 illustration by Aubrey Beardsley (1872–1898), a leading artist of the Decadent (1880-1900) and Aesthetic movements. Line block prints were produced by John Lane in 1907 on Japanese vellum ![]()
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